Museo de Arte Carrillo Gil

January 27-April 15, 2018.

Programa BBVA-MACG 5ta edición

ARCUS Project 2017
IBARAKI artist-in-residence 

Julieta Aguinaco & Sarah Demoen

August 25-December 12, 2017.

Open studio November 22-26
Moriya, Japan.


2017 Residency at Rabbit Island in Lake Superior

Julieta Aguinaco & Sarah Demoen

Summer, 2017
Rabbit Island, Michigan


La Cuidad Está Allá Afuera: Demolición, Ocupación y Utopía

November 26, 2016 – March 26, 2017
Centro Cultural Universitario Tlatelolco, Mexico City, Mexico


JULIETA AGUINACO: Mañana will be Another

September 24 – November 12, 2016
CYDONIA, Dallas, Texas


Survey of Surveys: Contemporary Depictions of Landscapes

September 10-15, 2016
2955 Crockett Street, Fort Wort, Texas


Space and Place: New Perspectives on the Experience of Architecture in Art

August 4-7, 2016
Seattle Art Fair, Seattle, Washington

The Limits of my World

September 17-20, 2015
ABC – Art Berlin Contemporary, Berlin, Germany


The Limits of my Language

Dutch Art Institute 2015

Collaborative Performance with Sarah Demoen


From One Thing to Something Else

April 2015
Casa do Povo, Sao Paulo, Brazil

Performance with Sarah Demoen and Ben Burtenshaw. Developed under the frame of Roaming Academy ‘Molecular Revolutions’.


Under the Ciltlatepetl

April 2015
Summerhall Exhibitions, Edinburgh, UK

‘In the current industrialised way of existing, many Homo sapiens live a life no longer as intimately synced to the circadian clock of Earth. The technologies we have inherited from our Homo habilis ancestors have slowly but steadily developed. Today ‘artificial’ production of light, heat, food, etc. has brought, among other things, an accelerated existence. The urban and indoor routine of city humans may seem detached; as a parallel reality happening at another speed or dimension. But we are fully attached, furthermore enclosed in, bigger clocks and stronger things that we will probably never master. Like planetary rotation. Like volcanoes.’

‘Under the Ciltlatepetl’ was a series of exhibitions co-curated by the Science Festival, Summerhall and ASCUS Art & Science. ‘Under the Ciltlatepetl’ brings together a selection of works by international artists intrigued by light in all its forms. Celebrating the UN International Year of Light and the Science Festival’s Brainwaves strand, the exhibitions explore the beauty, form and function of light and its role as a metaphor for knowledge and enlightenment.



November 14 – December 27, 2014
CYDONIA, Dallas, Texas


Site of a Future Trailer Park

November 4, 2014
Exhibition with Ben Burtenshaw and Sarah Demeon

Exhibition of the works and research developed during the year long seminar ‘Welcome to Econotopia, Commons of the Contemporary’ curated and tutored by Reneé Ridgway.


A Thing Called Time issue #1

October 4, 2014
Book Launch at CasCo – Office for Art Design and Theory
Utrecht, NL

A Thing Called Time is a serial publication project in which different understandings of the concept of time are explored. Using a specific area of knowledge as a starting point. For issue #1: Biological Time, the team invited Dr. Marina Escalera, a molecular biologist who’s main research involves searching for new viruses in the anal swamps of vampire bats. The next publication, Issue #3: Mathematical Time is currently being worked on in collaboration with Felipe Garcia Ramos, a mathematician who is focused on the study order and chaos.

100 Painters of Tomorrow

Thames & Hudson 2015


Cháchara Trascendental

September 19 – November 16, 2014
Gallery Weekend 2014
Altiplano Galería, Mexico D.F.


Land Art Mongolia

THE GEOLOGIC DEPTH OF NOW walk (color pigments)
August 3 – 29, 2014
Ulaanbaatar, Mongolia

The Geologic Depth of Now is a scaled walk through the history of the Earth. In other words: a walkable timeline of 1150 metres that takes the walkers through the Earth’s history. Starting at the formation of the planet 4.6 billion years ago, stopping at decisive moments in animal history and ending in present times, when the human species becomes a predator over all other species. “Unlike the first five extinctions, the sixth extinction is neither abrupt nor spectacular. No smashing asteroids or giant volcano eruptions. Only the slow, cumulative effecs of greenhouse gases, rain forest depletion, and a brand of imperialism that extols the virtues of high mass consumption.” (Genese Marie Sodokoff, The Anthropology of Extinction) During the walk, Western concepts of measurements and categorizations are slowly deconstructed. (Vera Tolman)